Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Wednesday, October 1, 2014

"If I Had a Hammer....": Pete Seeger Tribute, for EBSQ's August 'Toolbox'-themed Art Exhibit


8 x 10 Portrait of the folk legend, Pete Seeger, in tribute to his classic song


"If I Had a Hammer....."




EBSQ, the internet community of self-representing artists of which I have been a long-time member, features monthly, themed online art exhibits.  One of the shows this past August had the theme "Toolbox".  This was my entry (as can be seen here).

The following was my artist statement:

 
My entry for the EBSQ 'Toolbox' exhibit features a tribute portrait of the late American folk musician, Pete Seeger (1919- 2014).   

When reflecting upon the theme 'Toolbox', the first tool to come to mind was 'hammer'.   Thinking about hammers had the classic vintage folk tune, "If I Had a Hammer", popping into my head.  Written by Pete Seeger in 1949 in support of the progressive movement, the song has endured through the decades, recorded as it has been by numerous fellow musicians, and taken up as a freedom song during the American Civil Rights Movement.  I myself have many fond recollections of "If I Had a Hammer" over the course of my life -- singing it round the campfire as a young girl with my scout troupe, and then later to my own two children when they were small.  I always appreciated the simple melody and uplifting lyrics.  For my entry, I painted a portrait of the young Pete Seeger, who was 30 at the time he wrote "If I Had a Hammer" (after a lifetime of musical achievement and acclaim, Mr. Seeger passed away just this past January at the age of 95).  A prolific composer and performer, the "tool" of Mr. Seeger's trade was his guitar, with which he was often photographed playing.  I swapped out the one tool for another in this tribute to Pete Singer and his timeless classic.... 



If I had a hammer, 
I'd hammer in the morning,
I'd hammer in the evening,
All over this land.

I'd hammer out danger.
I'd hammer out a warning.
I'd hammer out love, between
My brothers and my sisters,
All over this land.


..............


"If I Had a Hammer...",  First Place Tie.....




There were but a total of four entries in the Toolbox show, still I'm very happy to say I tied for 1st Place....!   I got to split the $100 cash award prize with my fellow winner, April Trice -- $50 for each of us, how lovely!  Thanks to any who voted for me -- and many thanks to EBSQ....!


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(And now...., just a side note to add here, for interest and posterity.  As we all know by now (because I harp on it constantly in here), I no longer purchase new art supplies (aside from a few notable exceptions like paint and brushes) if I can in any way avoid it.  It's my own little, personal attempt to resist adding to our society's problems with over-consumption and the dreaded Affluenza  (and yes, I realize my small actions in this regard aren't likely to save the world any time soon, but can at least sleep at night in regards to my own personal artistic pursuits).  This personal moratorium includes the purchase of canvases, or even purchasing the ingredients to stretch my own canvases (too lazy to do that anyway)....because I often come across perfectly suitable alternatives when I happen to be out and about (tag sales, thrift stores, and the like (with a big emphasis this time on "the like")).  As a result, my paintings are typically created upon found wood or wooden plaques, or even supports I make myself using 2nd-hand picture frames.  I've amassed a decent hoard of these painting supports by now -- out of which the one for this entry was fished.  It's actually just a regular, gallery stretched, 8 x 10 store-bought canvas, but how it came to be mine is the more interesting part....

Years ago, when my husband and two very small children and I first moved back here to my hometown, we chanced upon a home to rent with which we fell in love.  With so many of the features we wanted in a house, we felt we had really hit the jack-pot -- cozy and old and with loads of character, a decent location, decent size (and nice to stretch out after apartment dwelling), nice yard, near the things we liked to walk to, and, most importantly, all at a reasonable rate.  We lived there for a time, until ready to purchase a house of our own.  And so we eventually moved out -- still, I always kept a very special place in my heart for our sweet old rental....

After we resettled, our cute little rental, which we were so happy with and had such good memories of,...turned into a something more of a haunted house.  It was within several years that we noticed it looking pretty beat up.  A few more years, and it was clearly run down.  Trashed even.  Hoarders, or something, had taken over, with piles of useless junk overflowing the driveway and yard, windows broken and patched with duct tape, chunks of stucco missing and shingles falling off.  What the heck happened?  Sometimes we would walk or drive by, and just pause to take in the mess that had become what had been a big part of our lives.  Where we'd had parties and celebrations, and heck, just lived. We couldn't image who could have done this to 'our' house -- much less that our old landlord would have ever allowed such a thing....!  That mystery was never solved.

Fast forward to just over a year ago, when my daughter and I were bike riding, cruising through our old neighborhood.  Passing our old house, it was clear by now it was completely empty and utterly abandoned, trashed beyond repair, and even slated for demolition.  We parked our bikes in the alleyway behind the house, and looked and looked.  She was young when we'd moved out (4 years old maybe?), but my daughter could still conjure up lots of memories.  We climbed through the gaping holes in the fence into the yard to get a closer look, pointing out nostalgic landmarks we once used to enjoy ourselves -- the patio, the outdoor brick fireplace (or, the place where it once stood anyway), the swing set, all while taking care not to trip all over the assorted junk and crap strewn about posing a booby trap.  We got a little closer, and closer still....until we were pretty much standing right next to it, staring at the gaping back door.  I'm sure you can guess what came next of course.   "Oh no, they didn't", you might be asking.  But yes, we did.  How could we not?  Our poor old house!  *OUR* house.  I know, I know -- risky, plus it was trespassing.  But I wanted to see it one last time before she was demolished for good....

Well, suffice it to say, time had not been kind.  Not easy to see the house that I'd loved so much, and held such fond memories of just 10 years before, in such state of wreck and ruin.  Still I'm glad my daughter and I had our chance to say goodbye.  And it was in there, amidst all the shattered glass and beer bottle caps (gazillions of them) all over the floor, that I stumbled upon this little, 8 x 10 canvas.   There was paint on it, but to call it a "painting" would be way too much of an exaggeration.  Just some color splashed around, and what looked possibly like some Chinese characters, although it could have just been some sort of attempt at 'abstract' something or other.  But, I took it home with me.  And when it came time to paint my little tribute to Pete Seeger here, I sanded it a bit, gessoed it, sanded it again -- and voila, good as new.  Was it stealing?  Technically, I suppose -- though guess what?   I can't say I feel much like a thief.

The house was pushed over and hauled off to the landfill just a few weeks later.  One thing I do know though...I sang this song many times over to my two young kids during countless bath times/bedtimes/naptimes, in that old house.....)





Thursday, August 23, 2012

My Nibblefest Art Contest entry, a painting entitled "Tom's Diner" -- tribute to the old Suzanne Vega song....



My entry for this month's Nibblefest Art Contest, an original entitled "Tom's Diner".....

Confession time.  So naturally, like most people, I have any manner of personal interests/pursuits, and favored methods of keeping myself entertained.  But by far my most favorite of all relaxing distractions has got to be the age-old activity....of People Watching.  People Watching, how I adore thee....!

If it sounds creepy, I promise it's really not.  Surely I'm not alone in finding the act of sitting back and passively observing the comings and goings of random humanity around me an endless source of fascination....?  I swear I can 'people watch' for hours and never get bored.  But just what is it about it that's so personally intriguing?  I do take casual mental note of folks -- what they are doing perhaps, what they are wearing.  But not in any judgmental way.  Instead it's as with an impartially neutral clinician's eye.  I simply find People, strangers or otherwise, highly interesting creatures..... 

Perhaps I find it so entertaining because I tend to be a visually-oriented thinker, so that all this mental observation might somehow convey for me reams of pertinent information to process, consciously or otherwise.  Perhaps as an artist, drawn to featuring people in my paintings, I'm subconsciously staking out future subject matter.  Or who knows, maybe I was an anthropologist in a former life, lol  -- whatever the case, I confess I'm a relentlessly avid (but discrete!) observer of my fellow humankind....

Which brings me to this month's Nibblefest Art Contest....  As mentioned in my last post, I missed the original August 20th deadline, but was able to make up for it last night, with a 5-Day auction for an original entry entitled "Tom's Diner" (click for auction link).   So who here might be familiar with that old song by the folk-inspired singer/songwriter Suzanne Vega....?  The following is my auction description:

____________________________


..."Tom's Diner".....

My entry for this month's Nibblefest Art Contest (NFAC), (~the theme for August being 'Coffee') is an original acrylic painting on a 8.5 x 7" found wooden plaque.  "Tom's Diner' is signed on the front, and ready to hang.....

When thinking about 'Coffee' as a theme this month, one of the first things to pop into my head was the song, "Tom's Diner", by the folk-inspired singer/songwriter Suzanne Vega.  I've always been partial to the song, written as it is in sort of a 'stream of consciousness' first person narrative, about a patron hanging out alone in a city diner, sipping coffee while making mental observations of the mundane goings-on around her.  One of these is a woman outside in the rain who spies her own reflection in the window, taking advantage of it to adjust her skirt and stockings.  My entry is my attempt to capture the moment of this little scenario:

"....There's a woman on the outside
Looking inside.
Does she see me?

No she does not
really see me
'Cause she sees
her own reflection....."
(from the lyrics of 'Tom's Diner', by Suzanne Vega)


_________________________



While I myself don't have time much to hang around in cafes, on those rare occasions when I do I have found them PRIME people watching locales.  I mean seriously, what a hoot!  So perhaps that's why Suzanne Vega's song, which I first heard 20 years ago or more (and can be listened to on Youtube here), has always resonated with me.....


"Tom's Diner", as inspired by the Suzanne Vega tune, "Tom's Diner".....


One more note about this particular piece.  I used for my painting support an old, wooden plaque I'd picked up recently from a second-hand store.  It has an interesting little inscription on the back of it, which will likely prove to be a bit of curiosity to whomever wins it.  The following is a photo of the back of the wood plaque, with my title and signature but also the inscription I discovered written there: 

My title/name/date on the top, with the written inscription in the middle...

An close-up shot of the written inscription (can you read it?):


Love, from Grandma and Grandpa Scharlau :-)


Isn't that sweet....?!  The plaque as I found it was painted a flat canary yellow, with what amounted to a large sticker of a cartoon dog adhered to it.  Apparently a gift to a treasured grandson in the '70's -- but still, not being original art, or heck, even a print, after some pondering I came to the conclusion it would be okay to put the plaque to alternate use.  Though I'm making certain NOT to obscure this sweet little note on the back in any way -- it will remain a part of the piece's history.....

(To see ALL the great art entries in this month's Nibblefest Art Contest, click here)....

In any case, speaking of old artwork, just to reiterate here, in my quest to re-purpose the various second-hand frames and painting supports that I stumble across from time to time, I would be loathe to ever paint over original artwork (that is, unless whatever we are talking about really is TRULY questionable) -- nothing at all like the news I heard only last night on BBC radio.  Has anyone else read about this...???  Apparently a century-old fresco in Spain that had seen extensive deterioration over the years...was the recent object of an amateur 'restoration' by a go-getting elderly parishioner, who took it upon herself to personally  'fix' the damage (click for online article).  Oyyyyyy...!



A damaged fresco (left), damaged yet even further by a well-meaning parishioner! (right)


I mean in a way one has to admire her chutzpah and 'take charge' attitude..., but Ay Carumba!  So yeah, none of that -- I know my limits!